faulancr

zehnuhr:

Pieces of Melbourne
“I must first say that I have never visited Melbourne (nor Australia for that matter) so any and all opinions about how this identity reference the peculiarities of the city are based on mere speculation and interpretation from afar. But it doesn’t take a local to recognize the progressive personality of the city and the rich visual landscape in which it thrives. Yesterday, Lord Mayor Robert Doyle unveiled a new identity that will represent the City of Melbourne, and provided plenty of rationale behind the new identity replacing a logo designed in the early 1990s.
There is something very appealing and avant garde about this logo and it walks a fine line between trendy-and-useless and progressive-and-defining, but I think it definitely swings to the latter. There is a really great tension created by the detail and overlay on the left side of the M and how it resolves into something more simple on the right side. The gradients are subtle and help add a sense of depth and breadth that you would not get with a flat logo, which is clearly evident in the 1-color application where the logo looks like a bad diagram in progress and loses its enigmatic feeling from the color version. The type selection is also unconventional and helps set apart the City of Melbourne from all other international cities with common, lowercase sans serifs. As the spreads below show, this identity has impact and adaptability beyond the logo and looks remarkably vibrant, dynamic and multi faceted, which is how I imagine the City of Melbourne to be.” – underconsideration.com/brandnew/
I don’t need to point out, that this is an amazing re-branding? I really like the way they developed the whole identity and the various full-color and 1-color iterations of the logo. You need to visit underconsideration.com for more information and details about the whole project.

Great!

zehnuhr:

Pieces of Melbourne

“I must first say that I have never visited Melbourne (nor Australia for that matter) so any and all opinions about how this identity reference the peculiarities of the city are based on mere speculation and interpretation from afar. But it doesn’t take a local to recognize the progressive personality of the city and the rich visual landscape in which it thrives. Yesterday, Lord Mayor Robert Doyle unveiled a new identity that will represent the City of Melbourne, and provided plenty of rationale behind the new identity replacing a logo designed in the early 1990s.

There is something very appealing and avant garde about this logo and it walks a fine line between trendy-and-useless and progressive-and-defining, but I think it definitely swings to the latter. There is a really great tension created by the detail and overlay on the left side of the M and how it resolves into something more simple on the right side. The gradients are subtle and help add a sense of depth and breadth that you would not get with a flat logo, which is clearly evident in the 1-color application where the logo looks like a bad diagram in progress and loses its enigmatic feeling from the color version. The type selection is also unconventional and helps set apart the City of Melbourne from all other international cities with common, lowercase sans serifs. As the spreads below show, this identity has impact and adaptability beyond the logo and looks remarkably vibrant, dynamic and multi faceted, which is how I imagine the City of Melbourne to be.”underconsideration.com/brandnew/

I don’t need to point out, that this is an amazing re-branding? I really like the way they developed the whole identity and the various full-color and 1-color iterations of the logo. You need to visit underconsideration.com for more information and details about the whole project.

Great!

Notes:

  1. lucasmelb reblogged this from sebastianwaters
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